Cloisonnism is a post-Impressionist painting style that emerged in the late 19th century, characterized by the use of bold, flat colors separated by dark contours, resembling the technique used in cloisonné enamelware. This style was pioneered by French artist Émile Bernard and later adopted by Paul Gauguin and other artists of the Pont-Aven school. Cloisonnism sought to break away from the naturalistic representation of light and color favored by the Impressionists, instead focusing on simplified forms, symbolic content, and decorative elements. The use of dark outlines around areas of pure, unmixed color creates a stained-glass effect, emphasizing the two-dimensional nature of the painting surface. This approach was influenced by various sources, including Japanese ukiyo-e prints, medieval stained glass, and folk art. Cloisonnist works often depicted religious or mythological scenes, as well as landscapes and portraits, with a focus on spiritual and emotional expression rather than realistic representation. The style played a significant role in the development of modern art, influencing the Nabis and Symbolist movements, and paving the way for the more abstract and expressive styles of the early 20th century.
post-Impressionist, Pont-Aven, Émile Bernard, Paul Gauguin
CITATION : "John Armstrong. 'Cloisonnism.' Design+Encyclopedia. https://design-encyclopedia.com/?E=432578 (Accessed on December 22, 2024)"
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