Chip Lord is an accomplished American artist whose work has had a significant impact on the development of video art. Born in 1946 in California, Lord is best known for his involvement in the conceptual art collective Ant Farm, which he co-founded with Doug Michels in the 1970s. Ant Farm produced a wide range of works that challenged traditional notions of art and performance, including the iconic video installation Media Burn, which critiqued the role of television in American culture. Lord's work is characterized by a deep engagement with the social and political issues of his time, as well as a commitment to exploring new forms of artistic expression. He has worked in a variety of media, including video, performance, and installation art, and has collaborated with a wide range of artists and activists throughout his career. Despite his many achievements, Lord remains a humble and thoughtful artist who is deeply committed to his craft. He continues to produce innovative and thought-provoking work that challenges audiences to think critically about the world around them.
Chip Lord, American artist, video art, Ant Farm, conceptual art, installation art, social and political issues, collaboration, innovation
CITATION : "Anthony Martinez. 'Chip Lord.' Design+Encyclopedia. https://design-encyclopedia.com/?E=276110 (Accessed on July 21, 2025)"
Chip Lord is an influential American artist known for his role in the development of the “video art” movement. Born in California in 1946, he has had a prolific career within the art world, renowned for his collaborative and independent works. In the 1970s, he and his partner Doug Michels formed the collective Ant Farm, a group that produced original conceptual art projects and developed early art performance pieces. This group is best recognized for their iconic video Monumental Mini-Golf, a site-specific performance piece that explored the rapid growth of urbanization in America.
Chip Lord is also known for his early video documentaries such as T.V.TV: Video Revolution, which highlighted the potential of video media and technology to challenge mainstream culture. His work often challenges traditional conceptions of public space an
— Mei Wang
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