Takuma Nakahira was a prominent figure in the world of Japanese photography and film-making. Born in Osaka in 1930, Nakahira graduated from Tokyo Polytechnic University in 1955 and went on to become a leading light of the New Photography Movement that emerged in Japan during the 1950s and 1960s. He was a passionate advocate of the Daido Moriyama approach to photography, which he saw as a more authentic way of capturing the world. Nakahira's work is characterized by his use of black and white photography, long-exposure techniques, and careful composition. He was particularly interested in exploring themes such as the passage of time, memory, and the power of photography to freeze and preserve moments. Nakahira's most famous works include For a Language to Come (1968), Farewell Photography (1972), and The Day's Bread (1974). In addition to his work as a photographer and filmmaker, Nakahira was also an influential teacher and writer. He published several books and mentored many notable photographers, including Daido Moriyama, Nobuyoshi Araki, and Takuma Wakamatsu. Nakahira's impact on the world of photography and film-making in Japan and beyond cannot be overstated, and his legacy continues to inspire new generations of artists.
Takuma Nakahira, Japanese photography, New Photography Movement, Daido Moriyama, black and white photography
Takuma Nakahira was a photographer and film-maker best known for his photography series “Farewell Photography”. He was born in 1930 in Osaka, Japan and graduated from Tokyo Polytechnic University in 1955. His photography was deeply rooted in the artistic tradition of the New Photography Movement, which emerged in the late 1950s and 1960s in Japan. He was a strong supporter of the Daido Moriyama approach of photography, as he believed it to be a more authentic form of capturing the world. He is best known for his use of black and white photography, long-exposure techniques, and careful composition. In 1968, he published his first work, “For a Language to Come”. This was followed by the acclaimed “Farewell Photography” (1972) and “The Day’s Bread” (1974). In his work, he explored themes such as the passage of time, memory, and the power of photography to freeze and preserve moments. Nakahira was also an influential teacher and writer, publishing several books and tutoring many notable photographers such as Daido Moriyama, Nobuyoshi Araki, and Takuma Wakamatsu.
Takuma Nakahira, Japanese Photographer, Farewell Photography, New Photography Movement, Daido Moriyama, Black and White Photography, Long-Exposure Techniques, For a Language to Come, The Day’s Bread.
— Mei Wang
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