Robert Wiene was a prominent figure in the German film industry during the early 20th century. He was born in Breslau, Germany (now Wroclaw, Poland) in 1873 and began his career as a playwright and stage director. In 1913, he was hired by the German film company Deutsche Bioscop to write and direct films. Wiene's early films were adaptations of his stage plays, but he quickly gained a reputation for his innovative use of camera angles, lighting, and set design. Wiene is best known for his 1920 horror film, The Cabinet of Dr. Caligari. This film, which is considered a masterpiece of German Expressionist cinema, features distorted sets and exaggerated acting to create a dreamlike, nightmarish atmosphere. The film was a commercial and critical success, and it helped to establish Wiene as one of the leading directors of his time. In addition to The Cabinet of Dr. Caligari, Wiene directed several other notable films, including Genuine (1920), Raskolnikoff (1923), and The Hands of Orlac (1924). His films were known for their use of Expressionist techniques, such as distorted sets, exaggerated acting, and dramatic lighting. Wiene's work had a significant influence on the development of German cinema and the horror genre. Despite his success, Wiene's career was cut short by the rise of the Nazi party in Germany. Wiene was Jewish, and he was forced to flee the country in 1933. He continued to work as a director in France and the United States, but he never achieved the same level of success that he had in Germany.
Robert Wiene, German film industry, German Expressionist cinema, The Cabinet of Dr. Caligari, distorted sets, exaggerated acting, dramatic lighting, horror genre, Nazi party, Jewish director
Robert Wiene was a renowned German expressionist film director, best known for his 1920 horror masterpiece The Cabinet of Dr. Caligari. His early career was spent writing stage plays and directing work on the stage in Germany and Austria. In 1915 he made his first film, The Yellow Sea, an adaptation of a stage play. He would go on to make a number of other important films including Genuine (1920), The Hands of Orlac (1924), and Raskolnikoff (1923). Wiene was a pioneer of the expressionist film style and heavily influenced the development of German cinema. He was one of the first filmmakers to utilize surrealistic sets and lighting techniques, creating a distorted and dreamlike atmosphere in his work. Wiene's influence continues to be felt in the world of film today.
German Expressionism, Robert Wiene, Cinematography, The Cabinet of Dr. Caligari.
— Mei Wang
We have 216.484 Topics and 472.443 Entries and Robert Wiene has 2 entries on Design+Encyclopedia. Design+Encyclopedia is a free encyclopedia, written collaboratively by designers, creators, artists, innovators and architects. Become a contributor and expand our knowledge on Robert Wiene today.