Mary Callery
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Mary Callery
Mary Callery was an American sculptor and painter who made significant contributions to the development of abstract expressionism in the United States. Born in New York City in 1903, Callery studied art at the Art Students League and the Beaux-Arts Institute of Design in New York, as well as in Paris, where she was exposed to the work of the European avant-garde. She began her career as a painter, but turned to sculpture in the 1930s, experimenting with a variety of materials and techniques. Callery's sculptures are characterized by their expressive power, emotional intensity, and innovative use of form and material. She was particularly interested in exploring the relationship between the human figure and the natural world, and many of her works feature organic shapes and textures. Her sculptures often convey a sense of movement and dynamism, as well as a deep psychological insight into the human condition. Callery's work has been exhibited widely in the United States and Europe, and she has received numerous awards and honors for her contributions to the field of sculpture. She was a member of the American Abstract Artists group, and her work is included in the collections of many major museums, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., and the Tate Gallery in London.
American sculptor, abstract expressionism, emotional intensity, organic shapes, movement
Mary Callery
Mary Callery (1903-1977) was an American sculptor and painter who pioneered the use of abstract expressionism in her artwork. She experimented with a variety of mediums and materials in her art, including bronze, stone, clay, and canvas. Her most famous works include The Uninvited (1943), Moon Dancer (1945), Humanity (1949), and The Three Sisters (1952). She was known for her expressive and emotionally powerful sculptures, which often explore themes of the human condition such as loneliness, death, and sorrow. In addition to her sculptures and paintings, Callery also wrote philosophical essays about art and the artistic process that have been published and studied by art historians.
Mary Callery, American artist, abstract expressionism, sculptures, paintings, essays, philosophical, artistic process
— Mei Wang
Mary Callery
Mary Callery was an American artist renowned for her sculptural works from the 1950s onwards. Her work reflects the style of the Abstract Expressionist movement, combining elements of Cubism, Surrealism and Abstract Impressionism. Her works, often iconic in form and highly tactile, responded to a variety of materials and forms. She also experimented with light and color in a manner that brought forth a sense of movement and presence in her sculptures. Callery’s works have been widely appreciated and have been featured in galleries and exhibitions across the United States. Notable works include her ‘Fanfare’ and ‘Kyoto’ series, the ‘Universal Woman’ sculpture, and the ‘Vertical Landscape’ series.
American Artist, Mary Callery, Abstract Expressionist, Cubism, Surrealism, Abstract Impressionism, Sculpture, Fanfare, Kyoto, Universal Woman, Vertical Landscape.
CITATION : "Giovanna Mancini. 'Mary Callery.' Design+Encyclopedia. https://design-encyclopedia.com/define/mary-callery?E=49739 (Accessed on October 14, 2026)"
Mary Callery on Design+Encyclopedia
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