Norman Cohn
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Norman Cohn
Norman Cohn is a name that is not only associated with the world of art but also with the field of history. Born in 1915, Norman Cohn was a British historian who specialized in the study of medieval Europe, particularly in the areas of religious and intellectual history. He is best known for his groundbreaking work The Pursuit of the Millennium (1957), which explored the origins of apocalyptic and millenarian movements in Europe during the Middle Ages. Cohn's work was highly influential in the field of history and helped to shape our understanding of the role that religion and ideology played in shaping the political and social landscape of medieval Europe. In addition to his work on medieval Europe, Cohn also wrote extensively on the history of anti-Semitism and the Holocaust. His book Warrant for Genocide (1967) was a scathing critique of the role that anti-Semitic propaganda played in paving the way for the Holocaust. Cohn's work on the Holocaust was particularly significant because it challenged the prevailing view at the time that the Holocaust was an aberration in European history. Instead, Cohn argued that the Holocaust was the logical outcome of a long history of anti-Semitic persecution in Europe. Despite his significant contributions to the field of history, Cohn's work was not without controversy. Some critics accused him of overstating the role of ideology in shaping historical events, while others accused him of downplaying the role of economic and social factors. Nevertheless, Cohn's work remains highly influential and continues to be widely read and debated in academic circles.
Norman Cohn, historian, medieval Europe, religious history, intellectual history, apocalyptic movements, millenarian movements, anti-Semitism, Holocaust, genocide, propaganda, ideology, social factors, economic factors
Norman Cohn
Norman Cohn (1926-1994) was a Canadian expressionist and figurative artist. His work is characterised by his use of vivid colour and abstract forms. Early in his career, he gained recognition for his large portraiture commissions, and later for his abstract landscapes and seascapes. His works are held in various public and private collections around the world, including the Art Gallery of Ontario and the National Gallery of Canada. Some of his most notable works include Bringing Home the Hay (1966), The Blue Boat (1973), and Mountain by a Lake (1985).
Norman Cohn Art, Canadian Expressionism, Figurative Art, Abstract Landscapes, Seascapes
— Mei Wang
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